Anthony Scalia
In literature, it is common that characters’ responsibilities are often shadowed by their passions and interests. One such case is the novel, “Wuthering Heights,” in which the main character, Heathcliff, searches for his true love while understanding his life. The character revisits his past for almost half the novel and reflects on his childhood love, Catherine. However, after her death the character has a hard time understanding what his responsibilities are because his passions blind him.
Similarly, Shakespeare’s main character in the play “Hamlet,” demonstrates his passions overstepping his responsibilities by making it his goal to seek revenge against his uncle, who killed Hamlet’s father. However, while Heathcliff is subdued by his love interest, Catherine, Hamlet’s girlfriend, Ophelia, has no say in any of Hamlet’s emotions. Heathcliff tries to identify his past and discover who he really is since he was orphaned, but he cannot control his emotions for the woman he loves.
The responsibility he holds understands his self-fulfillment, but is seems that he is soon overcome by other things in his life. When people uphold such responsibilities, it is bound that they will seek some form of outside entertainment in order to get their mind away from bigger problems. Heathcliff does this, but in a torturous way to Isabella. He watches her suffer and abuses her for no other purpose than to be provided with entertainment. For some reason, many literary characters, as well as those from real life hide their mistakes and responsibilities with pleasures. It is also seen in Mary Shelley’s “Frankenstein” when the main character Victor decides to marry his fiancĂ© instead of being concerned about the monster. However the monster kills the bride in the end, and Victor is left a widower.
Therefore, what does this say about the responsibility/passion conflict? Do these examples insinuate that by pushing priorities aside, one cannot accomplish what is most important? Along with these ideas, I believe that these authors are trying to prove that whether or not literary characters put aside priorities, consequences will always catch up with them, as proved in the endings of all of the previous works mentioned.